Liversidge investigates performance as sculpture, discussing how the ‘work’ only comes to life when engaging which an audiences. He has used a program of music, comedy and professional ‘acts’ to be a part of his work as he is interested in how the delivery of their work actins in relation to social, cultural and locational contexts. . Liversidge made a point to exhibition his proposals to CGP London in conjunction with his work, re-contexualising much of his pervious work with a site specific approach.
Liversidge’s work ‘A sculpture’ is a 25min long performance of standup comedy performed by Phill Jupitus. The jokes were written by patients and NHS staff and the Royal London Hospital for a pervious commission. There is a humorous element to the work, but also around the location. By entering a darkened space with bean bags on the floor, as your vision is nearly completely inpaired you become very aware that you could sit on someone in an attempt to find a bean bag. My friend and I started a conversation, then realised we should probably check if others are in the enclosed space with us. This curation was massively successful in reflecting the humorous interaction of the stand up comedy with its setting. Despite the work seemingly commenting on if jokes can be funny when told to no-one, we both found the awkward absence of an audible audience in the video very amusing.
Liversidge has a beautiful asethetic quality to small photographic polaroids, their scale drew people into look closely, which is something for me to consider. This changed his work to a more intimate atmosphere but I felt the curation of the room prevented the full appreciation of these photographic works. They were dominated by reflections of his large LED sculptures therefore were scanned over/lost in space. People were engrossed by photographing his light work to possibly post on social media because of its aesthetic appeal, and ignored the smaller work. Maybe it should have been isolated?
One of CGP’s exhibition spaces is a derelict cathedral in which Liversidge exhibited ‘&’ 2011. This illuminated LED piece was positioned at the end of the long dark space, standing at the alter almost as a shrine. Is it probing a questioning? Maybe rather that purely exhibiting a & sign, ‘& what?’ might have been more appropriate as we fail to fully understand the works significance because of its isolation and removed context. This one singular sculpture seems to hold such importance/ weight?
Interestingly, Liversidge has played with the power of signs within society and as a consequence my friend kept seeing the symbol for the rest of the day. The exhibition was following him around…
Images of the Abandoned Cathedral Exhibition space at CGP with ‘&’ work.